No nostalgic or philosophical musings today, just a tip of the hat to one of the Great Moments in Comic Book HistoryTM: Captain America engaged in a life and death struggle with the VW Beetle that crashed though the window of his third-story Brooklyn apartment:
Was it meant to symbolize the American auto worker's sense of anomie as the industry attempted to cope with the flood of cheap, fuel-efficient imports?
Or was it another example of a writer jettisoning all pretense of plausibility in order to shoehorn an ill-considered "clever" idea into a story?
(Since it is the late Steve Gerber we're talking about, it could go either way.)
Tin Machine - Working Class Hero (from Tin Machine, 1989) - I've noticed that revisionist music historians have tried to make the claim that Bowie's Tin Machine phase was anything other than a embarrassing failure of colossal proportions. These revisionist music historians are out of their flipping gourds, as this mutilation of a beloved John Lennon track clearly illustrates.
Jimmy Edwards - Love Bug Crawl (from Rockin' Bones: 1950s Punk and Rockabilly, 2006) - After his agent stopped taking his calls, Herbie was forced to paint himself purple and hire out as a contract killer in the late 1970's in order to fund his illegal fuel additive habit. A high-pitched "BEEP-BEEP" and the tinny hum of a four-cylinder engine revving up was the last thing many a snitch or mob rival heard before being cut down by a sub-compact angel of death.
5 comments:
Brilliant. Someone needs to Photoshop this into Captain America versus Herbie, the Love Bug.
wow, maybe it does have more than meets the eye, interesting to say the least though.
I guess Steve Gerber saw "Take The Money & Run"
Either that, or The Car.
No, no. Tin Machine was worth it just for "Stateside."
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