Those of you who have been following the disjointed ramble known as Armagideon Time for a while now might have sussed onto the the sad fact that I tend to be a sucker for z-list comic book characters. It goes back to my childhood, when the concept of shared fictional universes was something of joyous wonder, inviting rather than off-putting. The progression between the two states is as much a result of my own personal development as it one of the genre's evolution. Kids are better equipped psychologically to celebrate minutae over the meat-and-bones of a story than grown-ups are. (Well-adjusted grown-ups, that is.)
A result of my preference for novelty over quality is that I bought and read a lot of really terrible comics during my formative years based solely on the presence of such immortal characters as the Torpedo, Jack of Hearts, Devil-Slayer, and the (sort of) subject of today's post, Air Wave.
The son of the original Air Wave, a minor Golden Age character in the DC/National stable, young Harold "Hal" Jordan decided to follow in his father's superheroic footsteps. Where the original Air Wave relied on his fists and a special set of rollerskates which enabled him to grind along power lines, his successor was able to dematerialize and travel via electromagnetic transmissions, courtesy of a prototype costume created by his father.
He debuted in 1978's Green Lantern #100, appearing opposite his namesake and cousin, Hal (Green Lantern) Jordan, who, along with his pals Green Arrow and Black Canary, schooled the fledgling hero in the tricks of the costumed vigilante trade. From there he went on to a semi-regular back-up feature (by himself and then paired with the Atom) in Action Comics for a short time before fading into the standard minor-league character limbo of occasional guest appearances. (He supposedly "died" during Infinite Crisis, but we are discussing a genre where the afterlife has an ever-revolving door.)
Apart from the novelty aspect, there really wasn't much that set Air Wave apart from other characters of the same mold; he was the Bob Rozakis variant (as opposed to the Gerry Conway variant or the Marv Wolfman variant, adulterated knock-offs all) of the Lee-Ditko everyman teen hero template.
There really wasn't much that differentiated Air Wave from Firestorm, another then-recent addition to DC's roster of superheroes; both were high school jocks who were slightly overwhelmed by their situations, yet determined to make their marks. While Ronnie Raymond shared mental real estate with a nuclear physicist mentor in Firestorm's gestalt form, Hal Jordan had to make do with the giant floating head of his cousin constantly offering sage advice...
Now, I've heard it argued that a worthy hero needs to have worthy opponents. Bond had Blofeld, Holmes had Moriarty, Superman had Lex Luthor, Ted Knight had Jim J. Bullock -- all worthy adversaries that tested the heroes to the limits of their abilities, revealing their core strengths through contrast and conflict.
So who was deemed worthy to assume the weighty mantle of Air Wave's arch-nemesis?

CASEY JONES, THE MAN WITH THE FLYING CHOO-CHOO!


I can understand where Casey's coming from on this; he's chosen such a narrow supervillainous niche for himself that he's pretty much stuck hitting the same targets ad infinitum. I mean he could branch out and hijack a subway train, but the whole electric-powered angle would make it feel like cheating despite the presence of rails and switch junctions. He picked this path for himself and, by damn, he's going to see it through to the bitter end.
What does baffle me, however is that Hal Jordan and his girlfriend are such enthusiasts they make a point of attending every exhibition of vintage train culture that passes through the Dallas metropolitan area. Moreover, it was his girlfriend's idea for a date. I spent years looking for a pro-train significant other before finally facing facts settling on a train-neutral one. Some dudes have all the luck.
Strangely enough, Casey has some high level contacts in the supervillian community. In his DC Comics Presents appearance, he was able to call in a favor from the Parasite, who has held his own against Superman on several occasions. The nature of their relationship does suggest a certain Scott Baio/Johnny V quality to it...

...but even lopsided co-dependent friendships have their limits...

Jesus Couldn't Drum - I'm a Train (from a 1986 12" EP) - Cute band name and a pretty neat sound from this UK synthpop duo -- a little bit Morrissey, a little bit Depeche Mode.
(To anyone who thought I was going to post that Grateful Dead track: Shame on you.)
8 comments:
I find the names of T stops evocative bases for Boston-specific oaths: "Sweet sufferin' Alewife!" perhaps, or "Mother of Park Street, what have I done?" Or even "What in the savin hill is going on here?"
Outstanding, Jack!
I may very well use those during this morning's commute...
It's the least I could do, man. You've been on fire lately.
Your regional posts have been a huge pleasure for me. I was a kid from the 'burbs; Boston, for me, was about catching the D Line from Woodland—even when I had a car, I was scared to drive in town—usually bound for the Orpheum. I'd start to get that tingle when we'd hit Kenmore and the lines converged, my heart beating faster and that specific mix of anticipation and awe and affection.
That's all long ago and far away now, but every once in awhile I get a rush of homesickness—for Boston & Points West, or for my youth, I don't know, and I guess in the end it doesn't make much difference—and then you go and post something, maybe just a throwaway line, that makes me remember that feeling. And I appreciate that. And I thought you should know.
A "Too Close for Comfort" reference? Very nice.
I don't know if he would be considered z-list, but I saw a bust of Stingray the other day and then subjected my wife to a giddy description of him, the Human Fly and old-school Human Target.
Ah, so THAT'S what interrupted his corny remarks on my beauty. Well, @ least they got my hair right. ;-)
I had a big buzz for the lower league thumpers at one time. The Human Fly, The Comet, Black Orchid (seventies and and early nineties versions)and even Dial H For Hero
But recently I've been trudging through Essential Luke Cage (whose snappy catchphrase is "CHRISTMAS!") Vol 1, which has a seemingly limitless list of super villain stooges getting their heads cracked and clonked for a single appearance.
"Kids are better equipped psychologically to celebrate minutae over the meat-and-bones of a story than grown-ups are."
That's one of those sentences that crystallizes an idea that's been drifting around my head for years. Well done, sir. Well done, indeed.
As a non-Bostonian, I have some good stereotypical Boston comic-book exclamations that would be in the same ridiculous vein as "Great Texas Longhorns!" How about...
"By the Green Monster!"
"Sweet South End!"
"Freakin' Faneuil!"
"Big Dug!"
"Nooooooorm!"
I can't take all the credit for the line, Harvey. It was a distillation of a conversation with friends about how tolerance levels for Roy Thomas-isms diminish with age.
The fact that the attitude was shared by a number of folks seems to upend the conventional wisdom that "kid-friendly" equals "simplistic."
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