Last October, I attended a Temple sale with my wife, who lives for such events and the opportunities they provide to fill our little house with even more bizarre knickknacks. The only reason I attend these sales with her (apart from that "loving and supporting husband" jazz) is in the vain hope that one of the vendors has a set of SSP Smash Up Derby cars to sell at a reasonable price.
While I didn't find that particular personal Holy Grail, there was something that caught my interest -- a small crate of 7" singles being sold by a middle-aged woman whose other offered wares consisted of the finest non-essential kitchen furnishings 1975 had to offer. (Think avocado and earth tones.)
I always make a point of checking out the used vinyl I run across in these places, even though usually consists of Top 40 pap from the late 70's or the usual Ray Conniff/Herb Alpert/Al Hirt easy listening material. On this occasion, I was glad I made the effort as a quick flip through the singles turned up some surprises -- Depeche Mode's "Dreaming of Me," Devo's "Be Stiff," the UK release of the Clash's "Complete Control," and many other punk/postpunk/wave gems.
"They belonged to my son," said the woman behind the table. "He went to Emerson. He was going to be a dee-jay, but he ended up marrying some holy roller chippie. I was cleaning out his room the other day and found those. I asked him if he wanted them, but he said he didn't listen to the 'devil's music' anymore."
I gave the standard non-committal nod I usually use when small talk takes an uncomfortable direction and asked "how much?"
"I dunno. I don't know much about records. How about fifteen for the lot?"
I didn't even bother haggling. I forked over the dough and carted the box away.
It wasn't until after Maura gave me a turntable for Christmas that I sat down and did a proper assessment of the crate's contents. Most of the singles were easily placed, but there was one that defied identification -- while sleeve, blank label, with some curious etching, "JD-42680," on the edge of the vinyl. After a long bout of Googling and consultation with Kevin Church, whose knowledge of such matters rivals my own, I finally managed to determine exactly what it was I had lucked onto.
My jaw fairly well dropped at the revelation. I had come into possession of a bootleg release of a rumored, but unconfirmed Joy Division track recorded shortly before Ian Curtis's suicide. The unofficial title of the song is "Eternity" and it hints at the new direction the band was heading towards even as Curtis's personal demons bore down upon him with irresistible force.
A remarkable track and an incredible find, though I'd still have preferred finding a complete set of Smash Up Derby cars. Providence works in mysterious ways.
Joy Division - Eternity (?)
Tuesday, April 01, 2008
it's never changing
Posted by
bitterandrew
at
11:35 AM
Labels: amazing finds, postpunk, providence
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27 comments:
Superb find - and sad to think of the loss & the missed chart success. Also curious that you never see Bernard S & Rick Astley(?) in the same room at the same time. Hmmmmmmmmmmmmmm
Haunting!
Wow. I think everyone on the internet should be getting in on this tune! I'm surprised it hasn't already caught on.
Submitted to digg:
Lost Joy Division song unearthed
I HATE YOU SO FUCKING MUCH RIGHT NOW
I know, Jack. Ian's pain on the track is contagious.
I may not recover. The depth of that emotion—it's branded into my brain, forever. And never to part.
Well played sir, well played indeed.
Joy Division were a passion of mine, I was a bit sceptical at first, but am now in your debt.
I knew Ian had it in him!!
I can almost HEAR his desperate plea for the sweet release of death in the vocals.
I am chilled to the bone!
This track may be a dangerous thing to anyone who is on the fence with suicidal thoughts.
~P~
P-TOR
Well done, damn it.
*sigh* That kid made the rest of us Emersonians look bad. -500 lost indie cred to him!!
And of course, thanks for sharing! :)
Awesome discovery. Did you see the news on Pitchfork about Ben Gibbard's new side project with special guests like Sufjan, Will Oldham and Ian Curtis?
article
I got into AC/DC at the age of about 9 or so because my dad's sister married a holy roller and they threw out all their "devil's music". Thank you, Jesus!
Marshall Says:
Damn you!?
;p
Awesome FIND!
Hook(y), Line and Sinker. You got me!
One man's holy roller chippie is a stranger's good fortune.
I don't mean to be rude, but is this an April Fool's Joke? It just sounds nothing like Joy Division... Or perhaps they were going towards dance right at the beginning?
Ha ha ha.... Just listened to it. Oh yeah, its a Rick Dasterdly joke!
You are so lucky ... just got my USB Turntable set up .. let me see what I can find.
I love photos like these! Yay for The Partisans. One of my favourite tracks still as I approach middle age.
John: I'd eventually like to do a bigger photo of the wife's and my combined collections, should I ever clear enough space to do it.
Total agreement on The Partisans. I played my copy of The Time Was Right so many times that I wore out the grooves.
wow. it's almost too chilling ... "love will tear us apart," becomes "together" and then ... nothing. like he was trying to GET somewhere, find some connection - forever - but failed, and we all know what happened next. listening to this was my most intense musical moment of the past few years.
..............Brilliant!!
Obey_Gravity
This couldnt have happened to a more deserving blogger.
I wont be surprised if the offers come rolling in soon from the collectors....
Sir, that was MESSED UP! (well done)
Well, it does seem to explain some of the eventual direction taken by New Order . . . Ian was just too far ahead of them!
--endwar
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